Clearly communicating the fundamental aspects of your design at the different stages of a project can help you better communicate with clients, developers and your peers, ensuring your vision doesn’t get lost in the transformation from static comp to dynamic ever changing website.
For the last year I’ve been working at the Guardian under the leadership of a creative director. I’ve never worked with a creative director before – at least not in the traditional sense – and have found this to be a fascinating yet also frustrating experience; for the first time in my career I’ve not the been the arbiter of good taste.
Last Thursday I attended Break Conference, where content, graphic, product, UX and web design practitioners took to the stage in Belfast’s Assembly Buildings. As the spiritual successor to Build, organiser Christopher Murphy hoped the event would remove the artificial barriers erected between these different specialisms.
With the British government now able to count itself among the few countries sporting a coherent identity programme, a follow up to my 2009 post on the subject.
Whereas the world’s foremost architects, graphic artists, typographers, iconographers and illustrators are asked to create their best work to celebrate each Olympic Games, still we wait for the Olympic movement to give equal consideration to the design of its websites.